January 25, 2017
Concert Archive

Beethoven, Gluck And Widmann By Renaud Capuçon And The Orchestre de Paris

  • 45:01
    Ludwig Van Beethoven: Concerto In D Major Op. 61 With Renaud Capuçon, Conducted By Daniel Harding
  • 04:48
    Christoph Willibald Von Gluck: The Dance Of The Blessed Spirits By Renaud Capuçon
  • 14:10
    Ludwig Van Beethoven: Leonore Overture No. 2 In C Major With The Orchestre de Paris Conducted By Daniel Harding
  • 36:17
    Jörg Widmann: Babylon-Suite With The Orchestre de Paris Conducted By Daniel Harding
Grande salle Pierre Boulez, Philharmonie 1, Paris

A melodic mix of musical styles

This concert given on the 25th of February 2017 in the Grande Salle Pierre Boulez of the Philharmonie de Paris has two classics works, a work quite unknown and an alternative piece. The Orchestra of Paris play a great mix of works which are sure to test your ears and challenge your listening comforts. First, we hear Concerto in D Major Op 61 by Ludwig Van Beethoven with Renaud Capuçon playing solo violin. This work is written in a typical Beethoven style, with dramatic solo parts and comprehensive orchestral accompaniment. Next we hear ‘The Dance of the Blessed Spirits’ by Christoph Willibald von Gluck. This is a work for solo piano which, although a stellar piece of keyboard composing, is unjustly not often heard in compilations of piano music. Next, Ludwig Van Beethoven’s Leonore Overture No. 2 in C Major is played. this features a melody which is carried primarily by the flute. Finally, the alternative piece—Babylon-Suite by Jörg Widmann—is played. It is a textural piece which will challenge your belief about the noises an orchestra can make!

Ludwig Van Beethoven: Concerto In D Major Op. 61 With Renaud Capuçon, Conducted By Daniel Harding

Christoph Willibald Von Gluck: The Dance Of The Blessed Spirits By Renaud Capuçon

Ludwig Van Beethoven: Leonore Overture No. 2 In C Major With The Orchestre de Paris Conducted By Daniel Harding

Jörg Widmann: Babylon-Suite With The Orchestre de Paris Conducted By Daniel Harding

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